If you
were a fan of the movie, you'll enjoy the book. It's one of those rare
instances when the movie and book are complementary and enhancive. Entire
passages of dialogue and narration are used to great effect in the movie, and
fleeting details like hand gestures, physical descriptions and songs are made
significant, translated from page to screen perfectly.
The book
opens with a spoiler, of sorts. The narrator, a young neighbor and one of the
many boys who is obsessed with the Lisbon
family, is recounting the suicide of Cecilia, the youngest daughter. Over the
next 13 months, as the parents increasingly isolate the remaining four
daughters, the mystique surrounding the family grows, as does the boys' obsession.
They catalog their comings and goings, speculate on their lives based on the
contents of their garbage, and spy on the girls from a bedroom window across
the street. There is virtually no interaction between the boys and the Lisbon daughters until the
boys are permitted to take the girls to prom, an eventful night that ultimately
sets the direction for the end of the novel.
The
Virgin Suicides could be called a horror story. There are certainly plenty of
chilling passages and shocking events. At the same time it is a coming of age
story that perfectly captures the insecurities and imaginations of young girls
and the urges of young men. It is also a cautionary tale of sex and lust, and a
study of the somewhat hypocritical community that initially rallies around the
family but ultimately gossips and whispers and moves on to the next tragedy.